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From This City of Nightmares

In 1987 K.W. Jeter coined the term “steampunk” in a letter to Locus magazine. Jeter used the term to qualify the neo-Victorian writings that he, James Blaylock, and Tim Powers, were producing. This term was in part a play on the term “cyberpunk,” which was a popular genre in the late 1980s. Steampunk is a genre of speculation, whether it is set in an alternative version of Victorian England, in an alternative American West, in a future where steam power rather than electrical current runs the world, or in a fantasy setting where steam power is in mainstream use. It owes a debt of gratitude for its creation to such authors as Jules Verne, Mary Shelly, and H.G. Wells: Their works are speculative and include many of the aspects that readers now associate with modern steampunk novels. In terms of world building, though, the genre owes an even larger debt to Charles Dickens and his depiction of Victorian England.

Slum_in_Glasgow,_1871

In 1987 K.W. Jeter coined the term “steampunk” in a letter to Locus magazine. Jeter used the term to qualify the neo-Victorian writings that he, James Blaylock, and Tim Powers, were producing. This term was in part a play on the term “cyberpunk,” which was a popular genre in the late 1980s. Steampunk is a genre of speculation, whether it is set in an alternative version of Victorian England, in an alternative American West, in a future where steam power rather than electrical current runs the world, or in a fantasy setting where steam power is in mainstream use. It owes a debt of gratitude for its creation to such authors as Jules Verne, Mary Shelly, and H.G. Wells: Their works are speculative and include many of the aspects that readers now associate with modern steampunk novels. In terms of world building, though, the genre owes an even larger debt to Charles Dickens and his depiction of Victorian England . . .
Read more of my new article for The Pandora Society at: Geared Towards Speculative Fiction

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