In the preface to the collection, Gaiman (2006) explains that he found this to be a unique challenge because the two styles are very much polar opposites. The character of Sherlock Holmes is logical, scientific, and rational. The focus is on solving mysteries and presenting celebrated solutions. Lovecraft’s works proceed on a different basis. Many of his creations were deeply illogical and maintaining the mysteries helped keep humanity sane. “If I was going to tell a story that combined both elements,” Gaiman (2006, pp. 4-5) writes, “There had to be an interesting way to do it that played fair with both Lovecraft and with the creations of Sir Arthur Conan Doyle.”
This is not exactly an article about American Gods, although you may learn some interesting facts along the way. Unfortunately this article is a story of poor reporting and a media attack on Neil Gaiman and The American Gods television series. A failed attempt, I might add, because the controversy simply does not exist. Still, Gaiman provides a wonderful example for anyone who is falsely accused in the media on how to handle controversy in a dignified way.
The House on the Rock is a real place about an hour west of Madison Wi, that I write about in American Gods, and I had to tone down my description of it and leave things out in the book in order to make it believable. – Neil Gaiman
If the author of the Sandman comics, Coraline, Good Omens (with Terry Pratchett), Neverwhere, and several other dark fantasy/horror works believes that a place needs to be “toned down” to be believable, the creator of that place must be doing something right.